Friday, September 20, 2013
Sunlight
I am about to make one of the biggest changes of my life. That being said, I'm running out of options, and if I don't make this change now then I will most certainly have it made later on my behalf. I suppose the only difference between then and now is the illusion of control ...
This is leaving home. This is starting over.
Sunday, August 18, 2013
Mainstage 3 is the awesomest midi sound module you didn't know existed
This is the most amazingly awesome thing you probably didn't even know your mac could do. It takes a little explaining, but hang with me. This is worth it.
First, let's talk about Mainstage 3. If you make music with a computer, you have surely heard that the first major release of Logic in like forever was released last month and that this is called Logic X, and that finally the thing has "midi effects" (i.e. an Arpeggiator among other things), as well as a number of truly kickass new instruments. I am here to tell you that this is all completely true.
I have two mac computers. One is an aging 2008 Mac Pro (i.e. my "legit machine"), and one is a home-brewed Hackintosh (yes it's all legal 'cause I bought the software). The "hack pro" is a single-purpose machine which runs my home studio (which I built in an attic -- this is important later). Due to the unbelievably high pain factor of upgrading OS X on this particular set of hardware, the hack pro is permanently at 10.6.8, and will likely never see another OS upgrade.
Mainstage 3 requires 10.8, which is fine 'cause it runs on my laptop and that's what I've got running there. So ... I've got wicked new sounds on my laptop, all configurated for my live rig, but I want to make recordings on my studio computer which can never run 10.8. Also my live rig is heavier than a truckload of lead suitcases, and for reasons of the studio being attic-based, toting that mess up the stairs isn't a real popular option either.
Here is what you can do ... I've been doing it all day, and I cannot believe that it works so well:
Here's how to do it:
BOOM, you're done. Play some keys on the Mac Pro, and marvel at the awesome sounds emanating from your laptop and coming right back into Logic on your Mac Pro.
And you didn't even have to haul your synthesizers up the stairs.
First, let's talk about Mainstage 3. If you make music with a computer, you have surely heard that the first major release of Logic in like forever was released last month and that this is called Logic X, and that finally the thing has "midi effects" (i.e. an Arpeggiator among other things), as well as a number of truly kickass new instruments. I am here to tell you that this is all completely true.
Second, let's talk about motivation.Mainstage 3 is amazing ... but probably the most amazing thing is that, pretty much Mainstage 3 is all the juicy good parts of Logic X, for $30. Totes serious, bro. Even right down to getting all the new apple loops and samples.
I have two mac computers. One is an aging 2008 Mac Pro (i.e. my "legit machine"), and one is a home-brewed Hackintosh (yes it's all legal 'cause I bought the software). The "hack pro" is a single-purpose machine which runs my home studio (which I built in an attic -- this is important later). Due to the unbelievably high pain factor of upgrading OS X on this particular set of hardware, the hack pro is permanently at 10.6.8, and will likely never see another OS upgrade.
Mainstage 3 requires 10.8, which is fine 'cause it runs on my laptop and that's what I've got running there. So ... I've got wicked new sounds on my laptop, all configurated for my live rig, but I want to make recordings on my studio computer which can never run 10.8. Also my live rig is heavier than a truckload of lead suitcases, and for reasons of the studio being attic-based, toting that mess up the stairs isn't a real popular option either.
Here is what you can do ... I've been doing it all day, and I cannot believe that it works so well:
Tempo sync works so you can run that arpeggiator like the second coming of Giorgio Morodor, latency is negligible and it takes like 2 minutes to set up, no joke.you can set up a wireless midi connection between your mac pro and your laptop, and you can drive mainstage on your laptop right out of Logic on your mac pro.
Here's how to do it:
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| make one and name it something |
- set up a private wireless network between the two machines. Latency is important here, you don't wanna be relaying packets across your wireless router. Select "Create Network ... ", choose a cute name and connect both machines to it (note: this has the added benefit of disconnecting your ass from facebook so you can get some music and/or work done).
- Open up Audio Midi Setup (/Applications/Utilities). Select Window->Show MIDI Window. Double click the "Network" Icon. You're gonna see something like this:

do this on both machines: enable them, after a second
they will see each other in the bottom left, click connect.
you have now established a dern near latency free wireless midi connection between your computers. - Set up Logic
Plug the audio output of your laptop into an audio input on your mac pro, then set up logic to have a (stereo) audio input corresponding to that (just like you'd plug any other external sound source in) then set up an external midi instrument:
- Set up Mainstage 3
Open up Mainstage 3 on your laptop. Go to the layout mode and select a keyboard or a knob or whatever, and set the midi input to your wireless session, as so:
BOOM, you're done. Play some keys on the Mac Pro, and marvel at the awesome sounds emanating from your laptop and coming right back into Logic on your Mac Pro.
And you didn't even have to haul your synthesizers up the stairs.
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| this man would be proud |
Friday, August 2, 2013
Ancestors
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Like all living things on this Earth, we are born, we grow, we thrive, we weaken, and we eventually die. Right down to the smallest bacteria, each of us a tiny spark amid this enormous interconnected ocean of life, looping through the endless iteration of the eons. Birth, growth, reproduction, death, repeat. Fragments of our DNA live on beneath the surface, an endlessly long trail forming the fabric of our reality, like ghostly echoes on an endless tape loop. In a very real scientific sense, part of us does live forever, and who we are is a unique sum of fragments of all those that have come before us.
Rest in peace, Irene Hicox. You will be missed, but your echoes will be felt for many generations to come.This is real, and it is astounding, and it is beautiful.
Sunday, June 30, 2013
Friday, June 28, 2013
Vi Hart is my Hero
By the way, Vi Hart has a whole channel of awesome videos. She and her father run the Museum of Math in New York City.
I swear ... this chick is basically the Carl Sagan of music theory. Love love love her work ... she needs her own PBS or science channel series like IMMEDIATELY!
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